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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell alongside Marc Almond at Leeds in 1977

Dave Ball, one half of the innovative 1980s electronic music band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the pair scored a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is considered a seminal work of electronic music.

He later founded the pioneering electronic act The Grid, who secured chart success with 1994's Swamp Thing.

Ball passed away calmly in his rest at his home in London on October 22, just weeks after performing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

At that performance, Ball performed in a wheelchair, as he had for the previous couple of years, following a spate of ill-health.

"I ended up injure myself quite a bit," he stated in 2023. "I fractured lower vertebrae in my spine and fractured about five ribs and broke my wrist."

After contracting a lung infection and developing blood poisoning, he was put in an induced coma and remained in the hospital for half a year.

Nevertheless, he had been in "high spirits emotionally" during the summer, as he was developing a fresh record with Almond, called the upcoming Danceteria, which is set for publication in the coming year.

"He was focused and very pleased with the latest project that we actually completed only a short time ago," stated the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I take some solace from the fact that he listened to the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the early 1980s

Heartfelt Messages

Almond described his collaborator as "a wonderfully brilliant creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an significant part of my existence and for the songs you gave me. I couldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Forming a partnership with someone is distinct from being in a band, the bond is very tight," he added.
"That was the case with us. We went through so many extraordinary, extraordinary, memorable experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Brought into the world into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half old.

He grew up in Blackpool with adoptive parents his caregivers, who changed his given name from Paul to his adopted name, together with his sibling Susan, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both learning art. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the same year, and quickly produced an extended play.

Creative Collaboration

The duo were an distinctive pairing: Ball was the quiet musician, bent over his synthesizer, while Almond was a charismatic showman, all sparkle and eye-liner; but they achieved a unique creative synergy.

Ball had cultivated a interest with electronic instruments after viewing the band Kraftwerk appear on a television program a popular series, and started to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular song of 1981, selling 21 million copies worldwide. Alongside successful tracks by Gary Numan, contemporary bands and Ultravox, it contributed to paved the way for the synth-pop sound of the 1980s.

The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were working on new material right up until Ball's passing

Professional Journey

Success had its upsides. "I loved being able to purchase my first home, having financial security and travelling, which might seem like a Miss World," Ball recently shared with a publication.

But it also presented problems. "Sudden riches allowed we could purchase newfound drugs to relieve the monotony" of press appearances and TV performances, Ball explained.

"I know that's a common saying, but it's a cliché for a good reason, because it applies for so many musicians."

During the party-filled existence, the duo were also drifting apart, but they managed to produce a second classic album - the unconventional, tense and fittingly named The Art Of Falling Apart.

They released another album, 1984's This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond went on to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, producing the charting album Cruelty Without Beauty.

After another break, they reappeared in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on 30 September, that year.

Yet, they stayed together, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately described the duo's upcoming release as a tribute to the NYC nightlife they frequented while recording their initial records.

He added that his time in hospital had influenced the group's music.

"I had strange recollections when I was in and out of hospital because I was on morphine," he told a publication.
"The new songs are a digital reflection of the noises in my mind from those days.
"In parallel, it's about the experiences we got up to in the 1980s."

The final mixes were finished only a short time before Ball died. It is due for release in Spring 2026.

RM
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